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Kit Details

RED DSMC2 GEMINI 5K

Day Rate: £380 ex VAT     

Hire price for the RED DSMC2 GEMINI digital camera is base on a daily rate but offer operator service.
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Features
  • Dual sensitivity provides greater flexibility for a variety of shooting environments
  • Standard Mode offers an evolution in image quality over RED DRAGON
  • Enhanced low-light capability (less needed for artificial lighting
  • New 5K S35 sensor optimised for low-light performance

ABOUT THIS PRODUCT


RED EPIC-W carries on the legacy of the original RED EPIC, which became the industry workhorse upon its release in 2010. Featuring Dual Sensitivity Modes, GEMINI is RED’s highest-sensitivity sensor to date and delivers exceptional low-light performance allowing for cleaner imagery with less noise and better shadow detail. EPIC-W leverages lightning fast data rates up to 275 MB/s and records REDCODE RAW, as well as proxy 4K Apple ProRes or Avid DNxHR—simultaneously.

Joining the DSMC2 lineup, EPIC-W benefits from the advanced modularity of the RED ecosystem and offers cable-free peripherals, an integrated mounting plate, wireless control, and compatibility with a growing supply of modules and accessories. Also featuring interchangeable OLPFs and lens mounts, EPIC-W provides an all new perspective with full sensor coverage and support for your arsenal of S35 glass.

Optimised for Low-Light Performance

In Low Light Mode, GEMINI is RED’s highest sensitivity sensor to date. GEMINI provides significantly improved performance in low-light situations to capture cleaner imagery with less noise and better shadow detail than ever before.

Flexibility in any Situation

EPIC-W 5K S35 allows users to easily switch between the GEMINI sensor’s Standard Mode during well-lit conditions or Low Light Mode for darker environments. Creatives are able to quickly adapt to any lighting environment with the touch of a button, giving them the ability to use more of the natural light available.

Superior Image Quality

Capture cinematic images regardless of the lighting condition by combining RED’s enhanced image processing pipeline with GEMINI’s dual sensitivity and incredible dynamic range. EPIC-W 5K S35 lets content creators dial in the perfect shot and is RED’s tallest S35 sensor option – allowing for greater anamorphic lens coverage.

SENSOR TYPE MONSTRO 35.4 Megapixel CMOS HELIUM 35.4 Megapixel CMOS* GEMINI 15.4 Megapixel Dual Sensitivity CMOS  
EFFECTIVE PIXELS 8192 × 4320 8192 × 4320 5120 × 3000  
SENSOR SIZE 40.96 mm x 21.60 mm (Diagonal: 46.31 mm) 29.90 mm x 15.77 mm (Diagonal: 33.80 mm) 30.72 mm x 18.0 mm (Diagonal: 35.61 mm)  
DYNAMIC RANGE 17+ stops 16.5+ stops 16.5+ stops  
MAX FRAME RATES1 60 fps at 8K Full Format (8192 x 4320), 75 fps at 8K 2.4:1 (8192 x 3456)

60 fps at 7K Full Format (7168 x 3780), 75 fps at 7K 2.4:1 (7168 x 3024)

75 fps at 6K Full Format (6144 x 3240), 100 fps at 6K 2.4:1 (6144 x 2592)

96 fps at 5K Full Format (5120 x 2700), 120 fps at 5K 2.4:1 (5120 x 2160)

120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728)

150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296)

240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864)
75 fps at 5K Full Height 1.7:1 (5120 x 3000)

96 fps at 5K Full Format (5120 x 2700), 120 fps at 5K 2.4:1 (5120 x 2160)

120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728)

150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296)

240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864)
 
MAX DATA RATES  
PLAYBACK FRAME RATES
(PROJECT TIMEBASE)
 
REDCODE SETTINGS
RANGE FROM 2:1 UP TO 22:11
5:1 REDCODE for 8K Full Format (8192 x 4320) at 24 fps

12:1 REDCODE for 8K Full Format (8192 x 4320) at 60 fps

2:1 REDCODE for 4K Full Format (4096 x 2160) at 24 fps

3:1 REDCODE for 4K Full Format (4096 x 2160) at 60 fps
3:1 REDCODE at 5K Full Height (5120 x 3000) and 24 fps

6:1 REDCODE at 5K Full Height (5120 x 3000) and 60 fps

2:1 REDCODE at 5K Full Format (5120 x 2700) and 24 fps

8:1 REDCODE at 5K Full Format (5120 x 2700) and 96 fps

2:1 REDCODE at 4K Full Format (4096 x 2160) and 24 fps

6:1 REDCODE at 4K Full Format (4096 x 2160) and 120 fps
 
REDCODE RAW
ACQUISITION FORMATS2
8K Full Format (8192 x 4320), 2:1, 2.4:1, 16:9, 14:9, 8:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x

7K Full Format (7168 x 3780), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

6K Full Format (6144 x 3240), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x

5K Full Format (5120 x 2700), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

4K Full Format (4096 x 2160), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x

3K Full Format (3072 x 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

2K Full Format (2048 x 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
5K Full Height 1.7:1 (5120 × 3000), 5K Full Height 6:5 (3600 × 3000), and Ana 2x, 1.3x

5K Full Format (5120 × 2700), 2:1, 2.4:1, 16:9, 4:1, 8:1, and Ana 2x, 1.3x

4K Full Format (4096 × 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

3K Full Format (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

2K Full Format (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
 
APPLE PRORES ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 30 fps
ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps
ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps
AVID CODECS3 DNxHR HQX at 4K (4096 × 2160) 12-bit up to 30 fps
DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 30 fps
DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps
DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps
DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps
CONSTRUCTION Aluminum Alloy
WEIGHT 3.35 lbs (BRAIN with Integrated Media Bay)
OPERATING TEMPERATURE 0°C to 40°C (32°F to 104°F)
STORAGE TEMPERATURE –20°C to 50°C (–4°F to 122°F)
RELATIVE HUMIDITY 0% to 85% non-condensing
COLOR MANAGEMENT Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs
Variable number of 3D LUT outputs with DSMC2 expander module
User programmable shaper 1D LUTs
Tetrahedral interpolation, 16-bit processing
AUDIO Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz
Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz
REMOTE CONTROL Integrated R.C.P. WiFi antenna
Ethernet, RS232, and GPI Trigger with DSMC2 expander module
MONITOR OUTPUTS 3G-SDI (HD-SDI) and HDMI with DSMC2 expander module
1080p RGB or 4:2:2, 720p RGB or 4:2:2
480p RGB or 4:2:2 (HDMI only)
SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio
MONITOR OPTIONS DSMC2® Touch 7.0" Ultra-Brite LCD (Direct Mount), DSMC2® RED Touch 4.7" LCD, DSMC2® RED Touch 7.0" LCD and DSMC2® RED EVF (OLED) with cable-free connection.
RED Touch 9.0" LCD, RED Touch 7.0" LCD, RED Touch 5.0" LCD, RED PRO 7" LCD, DSMC2 Touch 7.0" Ultra-Brite LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LCD/EVF Adaptor A or DSMC2 LCD/EVF Adaptor D, and LCD/EVF cable.
REDCINE-X PRO
DELIVERY FORMATS
4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF
1080p 4:2:0, 720p 4:2:0 : H.264, .MP4
VIDEO EDITING SOFTWARE
COMPATIBILITY4
Adobe Premiere Pro, AVID Media Composer,
DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro
  • Dual sensitivity provides greater flexibility for a variety of shooting environments
  • Standard Mode offers an evolution in image quality over RED DRAGON
  • Enhanced low-light capability (less needed for artificial lighting)
  • New 5K S35 sensor optimised for low-light performance

Client's Comments