fbpx
play_arrow

Kit Details

RED Ranger Monstro

Day Rate: £820 ex VAT     

Hire price of RED RANGER 8K VISTA VISION Production digital camera is base on a daily rate. We also offer competitive grip and operator service.
GET MASSIVE DISCOUNTS ON WEEKLY RENTALS.

For more details about hiring this product, please contact us.

Features
  • Frame rates up to 60fps in 8K & 300fps in 2K
  • 8K resolution, Vista Vision, 46.31mm diag., 17+ stop dynamic range CMOS sensor
  • Integrated I/O including SDI, timecode, & XLR audio w/ +48v phantom power
  • Integrated PL lens mount & battery plate

ABOUT THIS PRODUCT


The RED RANGER is a large-format, cinema-quality camera featuring an 8K, Vista Vision, 17+ stop dynamic range sensor from RED Digital Cinema. It had a redesigned body based around a DSMC2 brain but with integrated accessories.

Designed for Rental. RED has simplified the process of renting one of their cameras with the “all-in-one” REDRANGER. The large-format, cinema-quality camera features an 8K, Vista Vision, 17+ stop dynamic range sensor for the ultimate in RED image quality. This redesigned body now features the I/O options you need without additional add-on modules, and you’ll only find this design for rent.

Integrated I/O. What used to be accomplished with add-on modules is now integrated into the sculpted housing. The body features ports for SDI (2x mirrored), secondary SDImonitoring, CTRLGIG-E, timecode, genlock, USB power (Type-A), 2-pin LEMO 1.5A power output, ⅛” headphone, and XLR audio input with +48v phantom power.

PL Lens Mount. RED includes a shimmed PL mount on the RANGER to accommodate the highest quality cinema lenses available.

Other Notable Features. This body has a larger and quieter fan for more efficient cooling on demanding productions. The camera can handle wider input voltage from 11.5v to 32v, and features a 24v power out. RED has made the wi-fi antenna external which should help substantially with signal strength. The housing has an integrated rosette mount for easy accessory grip mounting.

SENSOR TYPE MONSTRO 35.4 Megapixel CMOS
EFFECTIVE PIXELS 8192 × 4320
SENSOR SIZE 40.96 mm × 21.60 mm (Diagonal: 46.31 mm)
DYNAMIC RANGE 17+ stops
MAX DATA RATES

Up to 300 MB/s using RED MINI-MAG (480GB & 960GB)
Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)

MAX FRAME RATES

60 fps at 8K Full Format (8192 × 4320), 75 fps at 8K 2.4:1 (8192 × 3456) 
60 fps at 7K Full Format (7168 × 3780), 75 fps at 7K 2.4:1 (7168 × 3024) 
75 fps at 6K Full Format (6144 × 3240), 100 fps at 6K 2.4:1 (6144 × 2592) 
96 fps at 5K Full Format (5120 × 2700), 120 fps at 5K 2.4:1 (5120 × 2160) 
120 fps at 4K Full Format (4096 × 2160), 150 fps at 4K 2.4:1 (4096 × 1728) 
150 fps at 3K Full Format (3072 × 1620), 200 fps at 3K 2.4:1 (3072 × 1296) 
240 fps at 2K Full Format (2048 × 1080), 300 fps at 2K 2.4:1 (2048 × 864)

PLAYBACK FRAME RATES (PROJECT TIMEBASE) 23.98, 24, 25, 29.97, 30, 47.95, 48, 50, 59.94, 60 fps, all resolutions
REDCODE SETTINGS RANGE FROM 2:1 UP TO 22:1

5:1 REDCODE for 8K Full Format (8192 × 4320) at 24 fps 
12:1 REDCODE for 8K Full Format (8192 × 4320) at 60 fps 
2:1 REDCODE for 4K Full Format (4096 × 2160) at 24 fps 
3:1 REDCODE for 4K Full Format (4096 × 2160) at 60 fps

REDCODE RAW ACQUISITION FORMATS

8K Full Format (8192 × 4320), 2:1, 2.4:1, 16:9, 14:9, 8:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x 
7K Full Format (7168 × 3780), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 
6K Full Format (6144 × 3240), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x 
5K Full Format (5120 × 2700), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 
4K Full Format (4096 × 2160), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x 
3K Full Format (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 
2K Full Format (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

APPLE PRORES

ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 30 fps 
ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps 
ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps

AVID CODECS

DNxHR HQX at 4K (4096 × 2160) 12-bit up to 30 fps 
DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 30 fps  
DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps 
DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps 
DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps 

CONSTRUCTION

Aluminum Alloy

WEIGHT

7.30 lbs (with Integrated Media Bay, PL Mount, and Gold Mount)
7.50 lbs (with Integrated Media Bay, PL Mount, and V-Lock)

OPERATING TEMPERATURE

0°C to 40°C (32°F to 104°F)

STORAGE TEMPERATURE

–20°C to 50°C (–4°F to 122°F)

RELATIVE HUMIDITY

0% to 85% non-condensing

COLOR MANAGEMENT

Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs
Variable number of 3D LUT outputs
User programmable shaper 1D LUTs
Tetrahedral interpolation, 16-bit processing

AUDIO

Integrated dual channel digital stereo microphones,
uncompressed, 24-bit 48 kHz
Integrated dual channel 5-pin XLR
with preamplifiers, uncompressed, 24-bit 48 kHz

REMOTE CONTROL

External R.C.P. WiFi antenna with SMA connector
Ethernet, RS232, and GPI Trigger

MONITOR OUTPUTS

3G-SDI (HD-SDI) and MON-1
1080p RGB or 4:2:2, 720p RGB or 4:2:2
SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio

MONITOR OPTIONS

DSMC2® RED Touch 4.7" LCD, DSMC2® RED Touch 7.0" LCD and DSMC2® RED EVF (OLED) with cable-free connection.
RED Touch 9.0" LCD, RED Touch 7.0" LCD, RED Touch 5.0" LCD, RED PRO 7" LCD, DSMC2® Touch 7.0" Ultra-Brite LCD, BOMB EVF® (OLED) and BOMB EVF® (LCOS) compatible with DSMC2® LCD/EVF Adaptor A or DSMC2® LCD/EVF Adaptor D, and LCD/EVF cable.

REDCINE-X PRO DELIVERY FORMATS

4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF
1080p 4:2:0, 720p 4:2:0 : H.264, .MP4

VIDEO EDITING SOFTWARE COMPATIBILITY

Adobe Premiere Pro, AVID Media Composer, 
DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro

  • Integrated I/O's.
  • Three SDI outputs (two mirrored and one independent).
  • Support for wider input voltage (11.5-32V).
  • 24V & 12V power outs (two of each).
  • 12V P-Tap port.
  • Integrated 5-pin XLR stereo audio input (line/mic/+48V selectable).
  • Genlock, timecode, USB, and control.
  • Shimmed PL mount.
  • Large diameter fan provides improved thermal performance.
  • Available in V-Lock or Gold Mount variants.
 
COMPLETE KIT INCLUDES:
  • Production Top Handle.
  • PL Mount with supporting shims.
  • Two 15mm LWS rod brackets.
  • RED Pro Touch 7.0" LCD with 9" ARM and LCD/EVF cable.
  • LCD/EVF Adaptor A and LCD/EVF Adaptor D.
  • 24V AC Power Adaptor with 3-pin 24V XLR Power Cable.
  • Compatible Hex and Torx tools.

Client's Comments