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Kit Details

ARRI 100mm Anamorphic

Day Rate: £Provided On Request ex VAT     

Hire price for the ARRI 100MM T1.9 - PL MASTER ANAMORPHIC Lens is base on a daily rate. Note: We offer competitive operator service.
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Features
  • Cinematic bokeh with high contrast and nice focus fall-off
  • Beautiful skin tones and precise color rendition
  • Low distortion for uncompromised cinemascope
  • Large image field for full freedom in composition

ABOUT THIS PRODUCT


A range of seven high-performance prime lenses, the ARRI Master Anamorphic series represents a significant step forward in the technology and practicality of anamorphic cinematography for 35 format digital and film cameras.

For the first time, a perfect combination of compact size, minimal weight, very high speed and exceptional optical design with minimal distortion has been achieved in a set of anamorphics. With beautiful out-of-focus backgrounds and a smooth, cinematic look, the Master Anamorphic lenses are as fast and easy to use on set as other modern cine lenses.

Focal Length: 100mm
Lens Format: Super 35
Lens Mount: PL
Lens Type: Telephoto
Max Aperture: T/1.9
Scale: Imperial, Metric
Type: Cine, Video
Lens Mount PL LDS
 
Aperture T1.9 - T22
 
Close Focus 0.95m/ 3' 1"
 
Magnification Ratio H: 1:14.7, V: 1:7.4
 
Length (lens mount to front of lens housing) 210mm (8.1")
 
Length (image to front of lens housing) 262mm (10.2")
 
Front Diameter 95mm (3.7")
 
Maximum Housing Diameter 114mm (4.5")
 
Weight 3.1kg (6.8lbs)
 
Entrance Pupil -146mm (-5.74")
 
Angle of View H-V Super 35 Cinemascope (ID=29.26mm) 25 - 11 degrees
  • Low distortion for uncompromised cinemascope
  • straight lines stay straight
  • no distortion compensation in post necessary
  • low distortion even at close focus
  • Cinematic bokeh with high contrast and nice focus fall-off
  • very smooth out-of-focus image
  • immersive look
  • Beautiful skin tones and precise colour rendition
  • smooth and pleasant skin tones
  • natural crispy colour rendition
  • Characteristic out-of-focus highlights
  • oval and uniform illuminated out-of-focus highlights
  • smooth iris shape because of 15 aperture blades
  • Large image field for full freedom in composition
  • full 2.39:1 format is useable for image composition
  • no visible image drop at the corners
  • Large aperture of T1.9 for shallow depth of focus
  • T1.9 useable with any focal length at any distance
  • overcomes the old rule: “anamorphics need to be stopped down to T4.5”
  • Virtually no image breathing
  • No anamorphic mumps (fat face effect)
  • Super colour matched to other ARRI/ZEISS primes and ARRI/Fujinon zooms
  • ARRI Lens Data System (LDS) for lens metadata