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Kit Details

ARRI 50mm Anamorphic

Day Rate: £Provided On Request ex VAT     

Hire price for the ARRI 50MM T1.9 - PL MASTER ANAMORPHIC Lens is base on a daily rate. Note: We offer competitive operator service.
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Features
  • Cinematic bokeh with high contrast and nice focus fall-off
  • Beautiful skin tones and precise color rendition
  • Low distortion for uncompromised cinemascope
  • Large image field for full freedom in composition

ABOUT THIS PRODUCT


ARRI K2.47944.0 (K247944) Carl Zeiss 50mm / T1.9 MASTER ANAMORPHIC Lens with PL mount / 95 mm Front OD. A range of seven high-performance prime lenses, the ARRI/ZEISS Master Anamorphic series represents a significant step forward in the technology and practicality of anamorphic cinematography for 35 format digital and film cameras. 
For the first time, a perfect combination of compact size, minimal weight, very high speed and exceptional optical design with minimal distortion has been achieved in a set of anamorphics. With beautiful out-of-focus backgrounds and a smooth, cinematic look, the Master Anamorphic lenses are as fast and easy to use on set as other modern cine lenses.

Focal Length: 50mm
Lens Mount: PL
Lens Type: Standard
Max Aperture: T/1.9
Type: Cine
Lens Mount PL LDS
 
Aperture T1.9 - T22
 
Close Focus 0.75 m / 2'6"
 
Magnification Ratio H: 1:22.2, V: 1: 11.1.
 
Length 183 mm / 7.2".
 
Length including flange focal distance 235 mm / 9.3"
 
Front Diameter 95 mm / 3.7"
 
Maximum Housing Diameter 114 mm / 4.5"
 
Weight (kg) 2.6
 
Weight (lbs) 5.7
 
Entrance Pupil (7) (mm) -171
 
Entrance Pupil (7) (inch) -6.75
 
Angle of view H - V Super 35 Cinemascope 48° - 21°
 
Image Diameter 29.26 mm

Low distortion for uncompromised cinemascope

  • Straight lines stay straight
  • No distortion compensation in post necessary
  • Low distortion even at close focus


Cinematic bokeh with high contrast and nice focus fall-off

  • Very smooth out-of-focus image
  • Immersive look


Beautiful skin tones and precise color rendition

  • Smooth and pleasant skin tones
  • Natural crispy color rendition


Characteristic out-of-focus highlights

  • Oval and uniform illuminated out-of-focus highlights
  • Smooth iris shape because of 15 aperture blades


Large image field for full freedom in composition

  • Full 2.39:1 format is useable for image composition
  • No visible image drop at the corners


Large aperture of T1.9 for shallow depth of focus

  • T1.9 useable with any focal length at any distance
  • Overcomes the old rule: “anamorphics need to be stopped down to T4.5”
  • Virtually no image breathing
  • No anamorphic mumps (fat face effect)
  • Super color matched to other ARRI/ZEISS primes and ARRI/Fujinon zooms
  • ARRI Lens Data System (LDS) for lens metadata