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Kit Details

RED EPIC-W 8K

Day Rate: £350 ex VAT     

Hire price of RED Epic-W HELIUM 8K S35 Sensor film camera is base on daily rate and we offer operator service.
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Features
  • 8K Super-35 CMOS Sensor
  • 8192 x 4320 Recording up to 30 fps
  • High-Speed Recording up to 300 fps in 2K
  • REDCODE RAW, ProRes, and DNx Recording

ABOUT THIS PRODUCT


    • 8K HELIUM Sensor

      At 35.4 megapixels, the HELIUM camera’s 8K sensor can resolve the finest details in a captured image and render smooth lines and shapes without the aliasing or “stair-stepping” artifacts found in lower-resolution footage. If you need higher frame rates, lower resolutions and wider aspect ratios can yield up to 300 fps. RED measured the HELIUM sensor as having 16.5 stops of dynamic range, able to represent both deep shadows and hot highlights within the same frame.

      REDCODE RAW

      The cornerstone of RED’s workflow is the robust REDCODE RAW file format. Using wavelet compression with ratios ranging from 2:1 to 22:1, REDCODE RAW offers the versatility of raw files without the overwhelming storage requirements of uncompressed image data. Since REDCODE RAW has been around since the days of the RED ONE cinema camera, many common NLE software programs including Adobe Premiere Pro, Blackmagic Design DaVinci Resolve, Apple Final Cut Pro, and Avid Media Composer can import and edit REDCODE RAW footage without transcoding, saving production time in the edit suite.

      Note: Not all compression ratios are available at all resolutions and frame rates

      Apple ProRes and Avid DNx Formats   For projects requiring proxy files or quicker turnaround times than raw files permit, Apple ProRes or Avid DNx formats can be recorded at 4K and 2K resolutions directly to the onboard MINI-MAG media. Since these debayered video files can be recorded alongside the raw files, no extra time is required for transcoding the proxies. Bring the debayered files straight into your NLE and begin editing.

      DSMC2 Form Factor

      Like the preceding DSMC cameras, RED designed the DSMC2 camera line to be modular to fit a wide range of production workflows. Smaller and lighter than the original DSMC design, when stripped down to the BRAIN itself, the EPIC-W becomes an 8K gimbal workhorse. Likewise, add DSMC2 modules to the rear to gain professional I/O connections and battery power. Many other parts of the DSMC2 design are meant to be interchangeable. Swap out the lens mounts to open up new libraries of lenses. Exchange the included standard OLPF (Optical Low-Pass Filter) for alternative image renderings at the sensor level. Mount an EVF without cables that can get snagged, or use a separately available adapter to attach RED LCDs via LEMO cable.

      Color Management  

      Supports 33x33x33, 32x32x32, 26x26x26, and 17x17x17 3D LUTs Variable number of 3D LUT outputs with DSMC2 expander module User-programmable shaper 1D LUTs Tetrahedral interpolation, 16-bit processing.

      SENSOR TYPE MONSTRO 35.4 Megapixel CMOS HELIUM 35.4 Megapixel CMOS* GEMINI 15.4 Megapixel Dual Sensitivity CMOS  
      EFFECTIVE PIXELS 8192 × 4320 8192 × 4320 5120 × 3000  
      SENSOR SIZE 40.96 mm x 21.60 mm (Diagonal: 46.31 mm) 29.90 mm x 15.77 mm (Diagonal: 33.80 mm) 30.72 mm x 18.0 mm (Diagonal: 35.61 mm)  
      DYNAMIC RANGE 17+ stops 16.5+ stops 16.5+ stops  
      MAX FRAME RATES1 60 fps at 8K Full Format (8192 x 4320), 75 fps at 8K 2.4:1 (8192 x 3456)

      60 fps at 7K Full Format (7168 x 3780), 75 fps at 7K 2.4:1 (7168 x 3024)

      75 fps at 6K Full Format (6144 x 3240), 100 fps at 6K 2.4:1 (6144 x 2592)

      96 fps at 5K Full Format (5120 x 2700), 120 fps at 5K 2.4:1 (5120 x 2160)

      120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728)

      150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296)

      240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864)
      75 fps at 5K Full Height 1.7:1 (5120 x 3000)

      96 fps at 5K Full Format (5120 x 2700), 120 fps at 5K 2.4:1 (5120 x 2160)

      120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728)

      150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296)

      240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864)
       
      MAX DATA RATES  
      PLAYBACK FRAME RATES
      (PROJECT TIMEBASE)
       
      REDCODE SETTINGS
      RANGE FROM 2:1 UP TO 22:11
      5:1 REDCODE for 8K Full Format (8192 x 4320) at 24 fps

      12:1 REDCODE for 8K Full Format (8192 x 4320) at 60 fps

      2:1 REDCODE for 4K Full Format (4096 x 2160) at 24 fps

      3:1 REDCODE for 4K Full Format (4096 x 2160) at 60 fps
      3:1 REDCODE at 5K Full Height (5120 x 3000) and 24 fps

      6:1 REDCODE at 5K Full Height (5120 x 3000) and 60 fps

      2:1 REDCODE at 5K Full Format (5120 x 2700) and 24 fps

      8:1 REDCODE at 5K Full Format (5120 x 2700) and 96 fps

      2:1 REDCODE at 4K Full Format (4096 x 2160) and 24 fps

      6:1 REDCODE at 4K Full Format (4096 x 2160) and 120 fps
       
      REDCODE RAW
      ACQUISITION FORMATS2
      8K Full Format (8192 x 4320), 2:1, 2.4:1, 16:9, 14:9, 8:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x

      7K Full Format (7168 x 3780), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

      6K Full Format (6144 x 3240), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x

      5K Full Format (5120 x 2700), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

      4K Full Format (4096 x 2160), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x

      3K Full Format (3072 x 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

      2K Full Format (2048 x 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
      5K Full Height 1.7:1 (5120 × 3000), 5K Full Height 6:5 (3600 × 3000), and Ana 2x, 1.3x

      5K Full Format (5120 × 2700), 2:1, 2.4:1, 16:9, 4:1, 8:1, and Ana 2x, 1.3x

      4K Full Format (4096 × 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

      3K Full Format (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

      2K Full Format (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
       
      APPLE PRORES ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 30 fps
      ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps
      ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps
      AVID CODECS3 DNxHR HQX at 4K (4096 × 2160) 12-bit up to 30 fps
      DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 30 fps
      DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps
      DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps
      DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps
      CONSTRUCTION Aluminum Alloy
      WEIGHT 3.35 lbs (BRAIN with Integrated Media Bay)
      OPERATING TEMPERATURE 0°C to 40°C (32°F to 104°F)
      STORAGE TEMPERATURE –20°C to 50°C (–4°F to 122°F)
      RELATIVE HUMIDITY 0% to 85% non-condensing
      COLOR MANAGEMENT Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs
      Variable number of 3D LUT outputs with DSMC2 expander module
      User programmable shaper 1D LUTs
      Tetrahedral interpolation, 16-bit processing
      AUDIO Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz
      Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz
      REMOTE CONTROL Integrated R.C.P. WiFi antenna
      Ethernet, RS232, and GPI Trigger with DSMC2 expander module
      MONITOR OUTPUTS 3G-SDI (HD-SDI) and HDMI with DSMC2 expander module
      1080p RGB or 4:2:2, 720p RGB or 4:2:2
      480p RGB or 4:2:2 (HDMI only)
      SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio
      MONITOR OPTIONS DSMC2® Touch 7.0" Ultra-Brite LCD (Direct Mount), DSMC2® RED Touch 4.7" LCD, DSMC2® RED Touch 7.0" LCD and DSMC2® RED EVF (OLED) with cable-free connection.
      RED Touch 9.0" LCD, RED Touch 7.0" LCD, RED Touch 5.0" LCD, RED PRO 7" LCD, DSMC2 Touch 7.0" Ultra-Brite LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LCD/EVF Adaptor A or DSMC2 LCD/EVF Adaptor D, and LCD/EVF cable.
      REDCINE-X PRO
      DELIVERY FORMATS
      4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
      2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
      1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF
      1080p 4:2:0, 720p 4:2:0 : H.264, .MP4
      VIDEO EDITING SOFTWARE
      COMPATIBILITY4
      Adobe Premiere Pro, AVID Media Composer,
      DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro

      8K Super-35 CMOS Sensor

      8192 x 4320 Recording up to 30 fps

      High-Speed Recording up to 300 fps in 2K

      REDCODE RAW, ProRes, and DNx Recording